Review | 'Tommy' is a strange Broadway show. That doesn't mean you shouldn't see it.

NEW YORK — “The Who’s Tommy” is one weird show. In terms of head-spinning “whaaaaa?” moments, I would venture that, among mainstream musicals, it’s bested only by “Cats.” The Style section Even by the show’s wackadoo standards, Des McAnuff’s alt-futuristic revival, which just opened on Broadway after playing at Chicago’s Goodman Theater in the summer, has a casual relationship with coherence. Does Tommy become a cult leader, a proto-influencer, a tyrant, a victim or all of the above? Does he …